From a macro perspective, the overall interior decoration plan contains an artistic style, which can generally reflect the characteristics of the social material and spiritual life of the corresponding period from a side. Following the development of the interior planning of the dynasties, the mark of the age is always like a history book without words. This is because the interior decoration planning from the planning concept to the construction process, from the decoration materials to the internal equipment, it is necessary to connect with the material production level, social civilization and spiritual life of the society at that time. In terms of interior space organization, plane planning and decoration treatment, as a whole, it is also closely related to the philosophical thoughts, aesthetic concepts, social economy, customs and folk customs of the time. From the perspective of individual works, the irregularities and quality of the interior planning level are connected with the professional quality and civilized artistic quality of the planner. As for the grades that will be reflected after the implementation of each individual plan, it is also closely related to the detailed construction skills, material quality, equipment and equipment status of the project, and the harmony with the builder, the owner. Planning is a key link and premise with resolution significance, but ultimately the quality of the effect depends on the assurance of planning-construction-skills.
Building decoration is a widespread and widespread phenomenon of civilized art. The prehistory and civilization of each era have left deep marks in the construction. In addition to the preservation of the structure of the construction, a lot of information is gathered in the decoration of the construction. The carvings, decorations, colors, stitches, and arrangement of components, the order of assembly, etc. during construction all become vital information for us to judge and understand the style, type, and civilization inherent in the construction. Everyone ’s social awareness, beliefs and values Get flashed after this method. However, the previous history of building decoration suffered with social changes and fashion changes, and experienced different fate of praise, derogation, promotion, and restraint. According to everyone's general understanding, the decoration in construction is mostly right and wrong, and its goal is to invent aesthetic value. In the eyes of modernists, decoration is optional, and even the rest. As a result, they struggled to use decoration in their construction. In fact, decoration has never been optional for construction. We have not disconnected the influence of decoration on construction. It is ubiquitous. As long as we connect construction with beauty, the elements of decoration Onset effect in ear stains. The so-called "pure method" itself is a general shape of decoration. Moreover, the aesthetic value of this method is greatly discounted in today's view. Decoration has both structural function, information transmission function and aesthetic function. Our interpretation of any type of construction in the past history, it is impossible to exclude the elements of decoration, because decoration and construction space and structure together constitute a complete theme. The decoration is always connected with the function. In a sense, there is no decoration without function or function without decoration. The power of paving. The pillar style in Western classical construction not only provides structural function, but also a standard decorative vocabulary. Our expression of function cannot be vague and general, but it must be turned into a visible method through the use of detailed data, construction methods and processing methods. Every decoration left in the prehistory of construction has a definite prehistoric significance. Choosing a decoration means choosing this prehistoric and civilized theme, which can clarify why we are in postmodernism. The weight of prehistory can be felt in the works of Doctrine. They show the existence of prehistory in a new posture. For example: Philip. Johnson ’s glass building in downtown Pittsburgh uses many Gothic towers as a symbolic element to strengthen the sense of height, so that the previous history can be expressed in a new context. Palladio, an excellent architect during the Renaissance, also used this method. In addition to the use of four giant ancient Greek-style pillars, the St. George's church he planned emphasized the center of the church with a method of marking the Greek temple. In addition, others have kept the shorter wing corridors on both sides, as a metaphor of the ancient Roman public auditorium, together with many unique window opening methods and decorative patterns during the Renaissance. "When everyone took a boat from Venice to the church, the different visual focus repeatedly awakened our memories of ancient Greece, ancient Rome, the Middle Ages and the Renaissance." The significance of building decoration is messy and profound. There are both memories of previous history and considerations of life philosophy. There are nostalgia for the local civilization and care for the natural environment. We have experienced it in this environment. International richness and infinity.